Nouakchott Mauritania Music
People just don't have a clue about Mauritania, but his music is a bit richer, and that gives him his unique character. The name of the country comes from the words "Mauritania" and "Nouakchott" in French, the first two words of the French language. It is not as well known or famous as other countries in the Middle East and North Africa But it is not as far away from Europe or the United States as some of them.
The nobility of the griots passed down the music through poetic narratives sung in Hassaniya, with its beguiling sound system and unique instruments, including harp - like ardines. The music was passed from nobility and grios to nobility, singing poetic narratives through HassANIya and his giggled keys and systems, and containing the unique instrument that included harps, such as a harp.
Mauritania has no music industry, but there are nightclubs and record labels, and the country's first professional studio was opened in 2003. There are no publications devoted to music, there is little knowledge of the iggawin musical tradition, and Mauritanian music is only presented in a limited number of public concerts, often in private houses. Moorish musicians rarely give public concerts and Mauritania has no music industry, except for a few small clubs and music schools in Nouakchott.
The moor that gives the country its name has a unique and compelling tradition of classical music and has behaved well in the past. The Moors, who give the country its name, have a tradition of classical music that is unique but fascinating.
The roots of Mauritanian music are maintained through the use of elaborately played traditional instruments, and the band actively exposes its music roots to the world. The group has developed its sound over the years, with an emphasis on traditional Moorish music and traditions.
Influenced by its Moorish past, Mauritania has a rich and flourishing musical culture, as the performers on Skirball prove. Forget the last trace, What we have brings together everything we love about Moorish music in Mauritiana.
Mauritania's cultural heritage, less well known in world music but still very much present in Mauritania. Mauritius with its rich cultural history and rich musical tradition.
Mauritania has an overlapping history and ethnic groups, and has a long history of conflict and conflict with its neighbours in the Middle East and North Africa. Mauritania overlaps history and ethnicity and has an ongoing conflict between its neighbours and its neighbours in Africa and the West.
One of the easiest entry points is abbe, a style of music created in 1976 by blind musician Atar from northern Mauritania, Ould Abba. Jakwar is named after the fast French fighter jets that often flew over northern Mauritania during the Sahara War.
Inspired by Jakwar's rhythmic drive, Hammadi created an electric guitar that consists of controlled distortions of electric guitars. Jheich amplifies his tidinit, a traditional lute, and brings the rhythm and momentum of folk music to classical Moorish melodies. The iggawin musical tradition combines Arab, Berber and Sudanese influences to reflect the history and ethnic composition of Mauritania.
Arab oud-oud or lute and other musicians, including Abd al-Aziz Ould Abdel-Rahman, replaced it with the Tidnit, contributing to the great popularity of music in the Middle East. The Tidinit, which of course shook the foundations of Moorish music, would have been pushed into the background a few generations ago. Today, artists like Amadou Mariam and Tinariwen are no longer relegated to world music, but are rightly treated as international rock stars.
Moorish music is an idiom that can be stretched and seen through the infinite prism of jazz, but there is a traditional core that is much more diverse than what the rest of the world has to offer in pop bands. There are always those who have put Mauritania on the musical map and made a real contribution to the development of Moorish music. If you would like more information about the history of music in particular and the music of Nouakchott in general, please send me an e-mail and I will be happy to send you a more detailed article.
Moorish music can be roughly divided into folk and classical music, but the repertoire is actually the same for the musicians of both bands. The first category consists of songs that are about the love of your own family, friends, family members, relatives and friends of friends. Songs like El Madi and El Barm are often sung at weddings, but also songs for weddings and funerals.
Seymali's album "Tzenni" was released in 2014 and was an ambitious leap forward for him and his band. It was a genre that resisted the mix of folk and classical music and focused heavily on the love of family, friends and friends of friends. Last year's TzENNi was the first album in a series of albums by Seymali, a band of musicians from the Middle East and North Africa, but it's an agenda show - Defying Blend of Folk, Classical Music and Music of North America.